The base Atem is a 1M/E system that not only fits into tight production environments, such as OB vans, but also thrives in environments that typically require a multi-M/E switcher. Atem has 10 inputs with internal conversion on every input, allowing any SD or HD signal on the digital input and any analog or computer resolution signal on the multiformat inputs. The input is scaled to match the native operating standard, which can be any SD or HD format. Atem also has eight outputs of which two are user definable and can provide any SD, HD or computer resolution regardless of original format.
Every Atem in the family provides unsurpassed format flexibility, key layering capacity, and award-winning features like SuperSource, MultiMix, Stinger transitions and versatile Media Players.
The Atem and AtemEX control panels feature the highest quality LED switches, fader bar and joystick that are usually only available on more expensive switchers. An intuitive universal system control displays context sensitive options that help with fast-paced production and minimize menu navigation.
It is suitable for even the most critical live production. Atem is built on an FAA-certified operating system, providing 24x7 reliability and less than a 15 second boot time. The optional redundant power supply further enhances that reliability.
The software tools included allow easy graphics/ clip management, multiviewer configuration, and macro creation. Atem’s built-in Web server allows platform-independent system configuration, including source naming, panel mnemonics, and button mapping from any Mac, Windows, or Linux-based Web browser.
Atem is designed to support the 3 Gb/s HD standard. Operators can produce images in the highest resolution possible today, or be ready for it tomorrow. Atem is capable of processing the new 3 Gb/s 1080p (50 7 59.94) standard in addition to all other popular World TV Standards.
Atem’s internal processing can be set to operate in any SD or HD standard. Every input has built in up/cross conversion and synchronization, so that Atem can accept a mix of standard definition and high definition signals, timed and un-timed. DVD and Blu-ray players, inexpensive cameras, and existing SD equipment can be used without purchasing additional conversion gear. When operating in high definition, two of the Atem auxiliary outputs offer down/cross conversion making it easy to distribute an SD copy of the program. When converting, full aspect ratio control is provided.
Atem can input and output any analog, digital or computer signal. Analog signals can be Composite (CVBS), S-Video (Y/C), RGsB, or Component (YPbPr). Digital signals can be SD-SDI or HD-SDI. A wide range of computer resolutions are also supported via HDMI.
HDMI inputs and outputs make Atem the perfect switcher for on-stage presentations. The two HDMI inputs allow standard computer systems to be connected for graphic elements and PowerPoint presentations, without the need for external scan converters. The HDMI and analog outputs are perfect for any projector or large screen display, and Atem’s short processing delay eliminates live action lag on the big screen. (HDMI not HDCP-compliant.)
Monitoring your production is simple and inexpensive. Simply connect the dedicated HDMI output to an inexpensive HDMI or DVI display to monitor your sources. Atem includes a 10-channel multiviewer that allows you to monitor up to 10 switcher sources, including inputs, outputs, and internal sources such as SuperSource and Media Players. AtemEX and Atem2 include an additional 10-channel multiviewer that can be used to monitor eight inputs and two switcher sources for a total of 20 sources on two multiviewer outputs. Both multiviewers offer customizable routing, multiple layout options, user definable labels and program/preview tally. When operating in standard definition mode, the multiviewer output remains high definition, displaying two pixel accurate representations of your standard definition source and eight scaled sources.
Ideal for multi-box compositions, Atem includes Echolab’s unique and invaluable SuperSource.™ SuperSource™ allows the operator to prebuild sophisticated compositions that can be taken to air by pressing the SuperSource™ crosspoint and does not require the use of keyers or DVEs. The SuperSource™ includes five of its own keyers and four picture-in-picture generators. Upstream and downstream keyers remain available for adding additional graphics and the DVE remains available for performing interesting DVE transitions.
The unique Stinger™ transition makes it easy to perform animated transitions, traditionally only performed by the most experienced operators. With the push of a single button, you can trigger a media player clip and a perfectly timed mix transition. Stinger™ transitions use a unique keyer that has been designed into the transition block, leaving all of the upstream and downstream keyers available for compositing your output.
MultiMix is another groundbreaking innovation developed from user feedback. The system incorporates ‘floating’ mixers that provide transitions anywhere in the system. With MultiMix it is possible to perform simultaneous transitions on multiple outputs, inside DVE boxes, and between M/Es, letting producers easily manage multi-screen productions with a single M/E switcher. Operationally, MultiMix can be preset to occur whenever a new source is selected or built into recalls and macros so that operators can manage multiple transitions with single button operation.
In addition to the unique multi-box SuperSource™, Atem also features an advanced 2D DVE, as standard. The 2D DVE is available in the upstream keyers and includes sophisticated 3D borders and drop shadows. It also can be used to animate or reposition keys on screen. In the transition block it provides compelling program transitions such as pushes, squeezes, and moves.
In addition to the five keyers in SuperSource™ and one keyer in Stinger™ transitions, Atem and AtemEx feature four M/E keys with Chroma key and pattern generators, as well as two downstream keys; a total of 12 key layers. Atem2 has an additional Stinger key in M/E1, providing a total of 13 key layers. With Atem and AtemEX, it is possible to build a 13 layer composition.
Atem features a powerful two channel media player that can be pre-loaded with up to 32 still images and two clips. Each still and clip includes an alpha channel; clips also include audio. Internal stills allow you to include high quality graphics in your production without the need for an external still store. Clips can be used for playing short animations, including lower thirds, bugs, backgrounds, and animated transitions (Stinger™), adding impact to your overall production without the need for an external server.
Atem has a powerful macro engine that allows automation of actions for fastpaced production or simplifies production for inexperienced operators. This capability is very powerful in environments with non-professional operators as it allows them to safely and easily take advantage of the full capabilities of the switcher, without sacrificing the quality of the production. Macros are built simply by recording actions on the switcher control panel. Once built, these macros can be sent to a single button for execution. The macro engine incorporates control of external devices such as Inscriber CG systems, VDCP controlled servers and robotic cameras. Almost all switcher functions can be included in a macro. This feature truly allows a user to unleash the creative power of Atem.
Next transition and Preview transition are two important features that allow a user to harness the power of Atem with confidence. With next transition, the preview output displays all of the elements that will transition to program, giving the operator confidence in making quick layering decisions during production. Preview transition allows a user to inspect the transition prior to taking it to air. Quickly changing from a wipe or DVE transition can now be made with the assurance of how the transition will look when executed. These intuitive features provide confidence and improve the quality of your overall production.
Tight integration between Inscriber and Atem allows you to produce stunning graphics and seamlessly incorporate them into your production. Load projects, cue pages & Strata layers, cue clips, and control playback from the switcher control panel.
Industry standard VDCP protocol allows Atem to control various servers, including the Harris® NEXIO®. Recall clips and control playback from the switcher control panel or build macros that integrate server recalls with switcher functions.
Atem includes camera control so that the TD can “nudge” a camera or recall its preset from the control panel. Pan, Tilt, and Zoom are controlled using the joystick while other functions are available in the system control panel.
Atem features intuitive next-transition workflow with a variety of transition options. In addition to the standard Cut, Mix, and Wipe transitions found on traditional mixers, Atem features Dip, DVE, and the unique Stinger™ transition.
10 crosspoint buttons that provide access to 20 sources (shifted). Colored LED buttons show on-air status for confident live production.
High contrast 4 character crosspoint mnemonics are standard on every panel.
Quickly assign sources to keyers and auxiliary outputs.
Intuitive next transition workflow featuring Cut, Mix, Wipe, Dip, DVE and Stinger™ transitions.
Select wipe patterns, build DVE moves, configure keyers and more. The knobs are used to adjust parameters such as clip gain, Hue, border width, and others. Additionally control external devices such as VTR’s, CG’s and Clip-Stores.
Provides a dedicated location for the downstream keyers. Each DSK has independent control for CUT and AUTO transitions.
Indicators show status of each power supply in the system. Dual auto switching power supplies are optional.
Enter numeric data for loading and saving stills, organic wipes, and M/E presets.
A high quality 3-axis Joystick provides the ability to easily position, scale, or rotate elements such as DVE’s, wipes, and SuperSource™ boxes. It is also used to control pan, tilt and zoom on remote camera systems.
8 or 15 SDI inputs that include built-in frame synchronizers and up/cross converters as standard features so that the inputs can accept any SD or HD signal.
3 Universal inputs (Input #5, input #10, and Input #14) include A to D converters, frame synchronizers, up/cross converters, and scan converters as standard features. Therefore any SD, HD, or computer signal can be sent to these inputs.
100 Base-T Ethernet used to send graphics, access the switchers’ configuration web pages, and communicate with Inscriber CG systems.
Accepts analog blackburst but can also run on internal genlock.
There are 6 outputs in the switchers’ native processing format; 2 program outputs, and 4 fully routable auxiliary outputs. 2 additional fully routable auxiliary outputs also have down/cross conversion capability.
Aux 5 is a universal output with built-in down/cross conversion that can simultaneously output analog and HDMI.
Aux 6 is a universal output with built-in down/cross conversion that can simultaneously output analog and SDI.
The Multiviewer output displays a 10 channel multiviewer that can monitor any source in the switcher. The 18-input Atem has another multiviewer output for monitoring the 8 additional inputs and two additional switcher sources.
Industry standard connectors for 8 user configurable tally, 3 GPI, and 2 GPO connections. S/PDIF or AES3 audio is supported for animated stinger transitions.
The Mode switch allows the switcher to be configured and operated in up to 8 different modes. The switcher can be switched from SD to HD operation by simply changing the mode switch.
The Chassis and Control Panel are connected using two 75-Ohm coaxial cables. The maximum length of separation is 300 meters.
The System Status lights show genlock and operational status of the switcher. The master RS-422-1 port is used to control VDCP enabled servers. The slave RS- 422-2 port allows the switcher to be controlled using the GVG100 protocol. The RS-232 port is reserved for Diagnostics.
